What Type Of Music Was Popular In The Renaissance Period

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What Type Of Music Was Popular In The Renaissance Period

What Type Of Music Was Popular In The Renaissance Period

Gunther Schuller Jazz historian, composer and musicologist. Author of Total Personality, The Swing Era, History of Jazz, etc. Composer of Sonata for Alto Sax and Piano, The Black Warrior…

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Jazz, a form of music, often improvisational, created by African Americans and influenced by European harmonic patterns and African rhythms. Created in part from ragtime and blues, it is often characterized by syncopated rhythms, polyphonic ensemble playing, varying levels of improvisation, often intentional sonic deviations, and the use of original timbres.

Any attempt to reach the true, all-encompassing essence of jazz is futile. Jazz is, from its beginnings at the beginning of the 20th century, a constantly developing, expanding, changing music, which goes through several stages of development; A definition that may apply to one scene—such as New Orleans style or swing—becomes inappropriate when applied to another part of its history, such as free jazz. For example, early attempts to define jazz as music whose main characteristic is improvisation are too limited and unrealistic, since composition, arrangement and group have also been a staple of jazz for most of its history. Likewise, syncopation and swing, often considered important and unique to jazz, were not actually much true jazz, even in the 1920s or later years. Again, the long-standing idea that swing could not exist without a concert was controversial when trumpeters Louis Armstrong and Bonnie Berrigan (among others) often created a large swing when they played repeatedly, the notes not being consistent.

Indeed, jazz is not – and never is – a completely created, predetermined music, and it is not completely extemporaneous. For almost its entire history, it has been used both creatively to varying degrees and without change. But despite the various types of confusion, jazz seems to be instantly and clearly recognizable as something distinct from all other types of music. Repeat Armstrong’s famous answer to the question why

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Meaning: “If you have to ask, you don’t know.” To add to the confusion, most people do not seem to understand the difference between the producers of jazz (performers, composers and arrangers) and its audience. For example, with the rise of free jazz and other avant-garde trends in recent years, many older musicians have decided that swing music is not jazz.

Most early classical composers (such as Aaron Copland, John Alden Carpenter – and even Igor Stravinsky, who was influenced by jazz) were attracted by his music and timbres, the unusualness and inflections of jazz playing (brass mute, glissandos, scoops, bands, and stringless ensembles), and its syncopations, completely ignore, or at least underestimate, extemporized aspects of jazz. In fact, the sounds that jazz musicians make on their instruments—how they strike, bend, release, embellish, and color notes—mark jazz playing for what a classical one has done. played by jazz musicians in their idiomatic phrases, it will in all probability be called jazz.

However, one important aspect of jazz clearly distinguishes it from other musical fields, especially from classical music: the jazz performer is mostly or entirely a creative, improvising composer – his own composer, so to speak – in classical music the actor in general. Copy and translate other people’s writings.

What Type Of Music Was Popular In The Renaissance Period

The elements that make jazz unique come from the West African music scene when it was brought to the North American continent by the slaves, who partially preserved them against all odds in the culture cultivated in South America. These details are not clearly identified, as they were not recorded – at least not until the mid to late 19th century, and then only sparsely. In addition, black slaves came from different West African nations with different styles of music. Thus, many types of black music have gathered on American soil. These were soon met by European music – for example, simple dance and fun music and carols, such as appeared in North America in the 19th century.

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The music that eventually became jazz developed from a broad, gradual mixture of black and white music and popular styles, with roots in West Africa and Europe. It is only a little more to be sure that the music and style of jazz, including some of its instruments (for example, banjo or guitar and percussion), comes mainly from the West African traditions, although European influences are possible. heard not only in the harmonic language of jazz but in his use of conventional instruments such as trumpet, trombone, saxophone, string bass and piano.

The syncopations of jazz are by no means new – they are the main attraction of one of its predecessors, ragtime, and can also be heard in minstrel music and the works of Creole composer Louis Moreau Gottschalk (

1859, ib.). But jazz syncopation strikes non-black listeners as attractive and fresh, because this type of syncopation is not found in European classical music. The syncopations in ragtime and jazz are in fact the result of reducing and simplifying (over a period of at least a century) the complex, multi-layered, polyrhythmic and polymetric designs indigenous to every aspect of West African ritual dance and music groups. In other words, the earlier accents of several vertically matched units are slightly syncopated accents.

Evidence for music (melody, theme, motif, riff) in jazz is not clear. In all likelihood, jazz music evolved from the simple cuts and blends of African and European music intuitively created by slaves in the United States in the 18th and 19th centuries – for example, the homeless workers and workers’ songs deal with the changing social conditions of black people . . The great spread of pentatonic formations came mainly from West Africa, while the diatonic (and later more chromatic) lines of music in jazz grew out of the European predecessors of the late 19th and early 20th centuries.

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Socialism is probably the last European music accepted by black people. However, once received, harmony was used as a musical instrument in addition to religious texts; One result was a gradual spiritual development, borrowed from the free religious revival meetings that African Americans in various parts of the South were invited to participate in. An important aspect of musical acculturation is the development of blocks of the so-called blues scale, with its “blue notes”— the flattened third and seventh degrees. The scale is not primarily African or primarily European, but it is a unique set of vowel inflections common to any number of West African languages ​​and musics. In fact, the expression is very good – and in an African context very important – the different sounds are superimposed on the diatonic scale of almost all European classical and folk music.

That jazz developed exclusively in the US, not in the Caribbean or in South America (or other areas where thousands of black Americans were transported) is historically interesting. Many of the blacks in these other areas were mostly emancipated in the early 19th century, and so were the whites who participated in the management of their country. In the case of Brazil, the blacks are so territorial and isolated from the white center that they can only maintain their own African musical traditions in an almost pure form. It is ironic that jazz might not have developed if it wasn’t for the slave trade as it was practiced exclusively in the United States.

Jazz grew out of African-American slaves who were protected from the control of their traditional music and felt the need to replace some form of indigenous music. Such composers as the Brazilian mulatto José Maurício Nunes Garcia were successful with the music of their time that was developing in Europe and wrote songs in the style and tradition. American slaves, in contrast, were restricted not only in their work and cultural activities, but in leisure activities, including music. Although slaves who played instruments such as the violin, horn, and oboe were used for their musical skills in cities such as Charleston, South Carolina, these were exceptional. By and large, the slaves were left to keep what little music they were allowed. Reports and webinars are limited to the regions of your Pro and Prime subscription, as shown in “Purchased Regions”.

What Type Of Music Was Popular In The Renaissance Period

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